Anne Neilson, a pivotal figure in Scotland’s traditional music scene, was introduced to the rich tapestry of folk melodies at the second meeting of the Ballads Club in Rutherglen Academy in 1957. A year behind her schoolmate Gordeanna McCulloch, Anne’s lifelong connection with Gordeanna and their profound impact on others began to unfold. Despite her modest self-assessment, Anne, a professional teacher after leaving school, left an indelible mark on many of Scotland’s younger musicians.
Her influence extended to the Royal Conservatoire of Scotland, where she worked with, taught, and supported numerous students. The tributes on social media following her passing bore testament to the profound impact she had on those she mentored. Anne’s teaching prowess was evident, and her dedication to nurturing the next generation of musicians was unparalleled.
Anne’s introduction to traditional music didn’t originate from a deeply rooted tradition at home. She humorously recalled learning only two songs at home, “Wee Chookie Birdie” and “Help, Murder, Polis.” However, her immersion in the tradition and her commitment to passing on the legacy of folk music to others were undeniable.
Unlike some of her contemporaries, Anne didn’t seek the limelight for her performances. Instead, she operated more in a background role, exemplifying the qualities of a dedicated teacher who pushes others to the forefront. Her commitment to teaching and fostering emerging talent showcased her selflessness and passion for preserving Scotland’s musical heritage.
In her later years, Anne became a member of Stramash, collaborating with fellow musicians such as Bob Blair, Adam McNaughtan, Kevin Mitchell, John Eaglesham, and Finlay Allison. Her involvement with Stramash added another layer to her rich musical journey, demonstrating her versatility as a performer.
Anne’s dedication to the Glasgow Ballads Club, alongside Gordeanna McCulloch and others, was an embodiment of their shared commitment to traditional music. The impact of Anne and Gordeanna on traditional singers in Scotland cannot be overstated. They shared a legacy of imparting the gift of inspiration to others, much like the teachers who had influenced their own musical journeys. While a cloud still hangs over the traditional music community with Anne’s passing, her memory and contributions will endure, ensuring that she and her fellow musicians will be remembered for their invaluable contributions to Scotland’s folk music heritage.
Anne passed away in 2019.