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Scottish musicians expanding their creative horizons into other other areas of musical practice.

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STARAN, a new development initiative for actors and artists working in Gaelic

Theatre Gu Leòr launches STARAN, a new development initiative, with a series of workshops at the Royal Conservatoire of Scotland for actors and artists working in Gaelic, providing a rare opportunity to train with experts and develop professional skills.

Places are limited and can be booked for all three workshops or individually. For more info and to book a place go to www.theatreguleor.com/development or e-mail seona@theatreguleor.com

Please note: Participation in any research undertaken will be voluntary, confidential and may be withdrawn from at any time.



Step dancing in a contemporary context | Sophie Stephenson

Building on the basic steps, participants will explore how the traditional art of step dancing might be used in a contemporary theatre context. Participants will be encouraged to experiment with the creative and rhythmical possibilities.

30th September & 1st October | 10am-5pm RCS Wallace Studios at Spiers Locks

  

Complete Vocal Technique | Michael Hill

Participants will learn to understand and control their voice and avoid vocal fatigue while reaching their full potential. Complete Vocal Technique is a scientific approach, based on 25 years of research at the CVT Institute in Copenhagen.

21st & 22nd October | 10am-5pm RCS Wallace Studios at Spiers Locks



Script development and dramaturgy | Màiri Sìne Campbell and Lynda Radley

Working with award winning playwright and dramaturg Lynda Radley and writer Màiri Sìne Campbell participants will explore a new Gaelic text and gain a unique insight into the crucial script development process.

Sat 4th & Sun 5th November | 10am-5pm RCS Wallace Studios at Spiers Locks

Places are limited and can be booked for all three workshops or individually. For more info and to book a place go to www.theatreguleor.com/development or e-mail seona@theatreguleor.com

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Distil is supported by PRS Foundation’s The Open Fund for Organisations

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